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Hanuman Bahuk

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छप्पय (Chhappay)

siṃdhu-tarana, siya-soca-harana, rabi-bāla-barana tanu| bhuja bisāla, mūrati karāla kālahu ko kāla janu|| gahana-dahana-niradahana laṃka niḥsaṃka, baṃka-bhuva| jātudhāna-balavāna-māna-mada-davana pavanasuva|| kaha tulasidāsa sevata sulabha sevaka hita santata nikaṭa| guna-ganata, namata, sumirata, japata samana sakala-saṃkaṭa-vikaṭa||1||

svarna-saila-saṃkāsa koṭi-rabi-taruna-teja-ghana| ura bisāla bhuja-daṃḍa caṃḍa nakha-baja bajra-tana|| piga nayana, bhṛkuṭī karāla rasanā dasanānana| kapisa kesa, karakasa laṃgūra, khala-dala-bala-bhānana|| kaha tulasidāsa basa jāsu ura mārutasuta mūrati bikaṭa| saṃtāpa pāpa tehi puruṣa pahiṃ sapanehum̐ nahiṃ āvata nikaṭa||2||

झूलना (Jhulana)

paṃcamukha-chamukha-bhṛgu mukhya bhaṭa asura sura, sarva-sari-samara samarattha sūro| bām̐kuro bīra birudaita birudāvalī, beda baṃdī badata paijapūro|| jāsu gunagātha raghunātha kaha, jāsu bala, bipula-jala-bharita jaga-jaladhi jhūro| duvana-dala-damana ko kauna tulasīsa hai, pavana ko pūta rajapūta ruro||3||

घनाक्षरी (Ghanakshari)

bhānu soṃ paṛhana hanumāna gaye bhānu mana-anumāni sisu-keli kiyo phera-phāra so| pāchile pagani gama gagana magana-mana, krama ko na bhrama, kapi bālaka bihāra so|| kautuka biloki lokapāla hari hara bidhi, locanani cakācauṃdhī cittani khabhāra so| bala kaiṃdhauṃ bīra-rasa dhīraja kai, sāhasa kai, tulasī sarīra dhare sabani ko sāra so||4||

bhārata meṃ pāratha ke ratha kethū kapirāja, gājyo suni kururāja dala hala bala bho| kahyo drona bhīṣama samīra suta mahābīra, bīra-rasa-bāri-nidhi jāko bala jala bho|| bānara subhāya bāla keli bhūmi bhānu lāgi, phalaṃga phalāṃga hate ghāṭi nabhatala bho| nāī-nāī mātha jori-jori hātha jodhā johaiṃ, hanumāna dekhe jagajīvana ko phala bho||5||

go-pada payodhi kari holikā jyoṃ lāī laṃka, nipaṭa nisaṃka parapura galabala bho| drona-so pahāra liyo khyāla hī ukhāri kara, kaṃduka-jyoṃ kapi khela bela kaiso phala bho|| saṃkaṭa samāja asamaṃjasa bho rāmarāja, kāja juga pūgani ko karatala pala bho| sāhasī samattha tulasī ko nāha jākī bāṃha, lokapāla pālana ko phira thira thala bho||6||

kamaṭha kī pīṭhi jāke goḍani kī gāḍa māno, nāpa ke bhājana bhari jala-nidhi jala bho| jātudhāna-dāvana parāvana ko durga bhayo, mahāmīna bāsa timi tomani ko thala bho|| kumbhakarana-rāvana payoda-nāda-īdhana ko, tulasī pratāpa jāko prabala anala bho| bhīṣama kahata mere anumāna hanumāna, sārikho trikāla na triloka mahābala bho||7||

dūta rāmarāya ko, sapūta pūta paunako, tū aṃjanī ko nandana pratāpa bhūri bhānu so| sīya-soca-samana, durita doṣa damana, sarana āye avana lakhana priya prāna so|| dasamukha dusaha daridra daribe ko bhayo, prakaṭa tiloka oka tulasī nidhāna so| jñāna gunavāna balavāna sevā sāvadhāna, sāheba sujāna ura ānu hanumāna so||8||

davana-duvana-dala bhuvana-bidita bala, beda jasa gāvata bibudha baṃdīchora ko| pāpa-tāpa-timira tuhina-vighaṭana-paṭu, sevaka-saroruha sukhada bhānu bhora ko|| loka-paraloka teṃ bisoka sapane na soka, tulasī ke hiye hai bharoso eka ora ko| rāma ko dulāro dāsa bāmadeva ko nivāsa, nāma kali-kāmataru kesarī-kisora ko||9||

mahābala-sīma mahābhīma mahābāna ita, mahābīra bidita barāyo raghubīra ko| kulisa-kaṭhora tanu jora parai rora rana, karunā-kalita mana dhāramika dhīra ko|| durjana ko kālaso karāla pāla sajjana ko, sumire haranahāra tulasī kī pīra ko| sīya-sukha-dāyaka dulāro raghunāyaka ko, sevaka sahāyaka hai sāhasī samīra ko||10||

Introduction

The Hanuman Bahuk is a deeply moving and powerful hymn to Lord Hanuman, composed by the great poet-saint Goswami Tulsidas (1532–1623 CE). Behind its composition lies a poignant story. Tulsidas was afflicted with severe, excruciating pain in his arms (bahu). No remedy or treatment provided any relief. In his anguish, he turned to his beloved deity Hanuman and composed this fervent prayer.

The word “Bahuk” means “disease of the arms.” In this composition, Tulsidas describes Hanuman’s glories, the might of Ram-devotion, and makes a heartfelt plea for relief. It is said that Hanuman was so moved by Tulsidas’s devotion that he appeared and healed the poet’s affliction. The text is composed in Awadhi, Tulsidas’s mother tongue and the language in which he composed the Ramcharitmanas.

Structure and Metres

The Hanuman Bahuk is a sophisticated composition of 44 verses employing four distinct classical metres:

  • Chhappay (छप्पय) — verses 1–2: A six-line metre combining Rolā and Uddhata
  • Jhulana (झूलना) — verse 3: A swinging metre of great lyrical beauty
  • Ghanakshari (घनाक्षरी) — verses 4–15 and 19–35 and 37–44: A vigorous 31-syllable metre
  • Savaiya (सवैया) — verses 16–18 and 36: A stately metre

Significance

The Hanuman Bahuk is considered extremely effective for relief from physical pain, disease, and suffering. It is especially recited for ailments of the arms, limbs, and body. The composition embodies Tulsidas’s unwavering devotion, his absolute trust in Hanuman, and the glory of Lord Rama. Many devotees across India recite it when suffering from illness, believing in its healing power.

How to Recite

  • Tuesdays and Saturdays are considered especially auspicious for reciting this hymn.
  • Sit before an image or idol of Hanuman while reciting.
  • Before recitation, offer sindoor (vermilion) and jasmine oil to Hanuman.
  • When suffering from physical pain or illness, recite regularly with sincere devotion.
  • Recitation on Hanuman Jayanti is considered especially meritorious.

Meanings are compiled and edited by the Ved Path team, and are being progressively reviewed for accuracy.

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